There are two aspects of the Tate Britain show ‘Van Gogh and Britain’ that to my mind are remarkable: first, the extent to which the artist himself is sensitive, but shallow; and second, that the connection with Britain is somewhat forced. Van Gogh is a painter of landscapes, flowers, and people, who introduced innovations in brush strokes and impasto, with occasionally fauvish colours that were radical in their time. Stylistically, van Gogh is instantly recognisable, with his wavy lines and deliberate forms; but where is the depth?
AI poses several challenges for the religions of the world, from theological interpretations of intelligence, to ‘natural’ order, and moral authority. Southern Baptists released a set of principles last week, after an extended period of research, which appear generally sensible – AI is a gift, it reflects our own morality, must be designed carefully, and so forth. Privacy is important; work is too (we shouldn’t become idlers); and (predictably) robot sex is verboten. Surprisingly perhaps, lethal force in war is ok, so long as it is subject to review, and human agents are responsible for what the machines do: who those agents specifically are is a more thorny issue that’s side-stepped.