Category: Hayek

The Mirage of Liberal Democracy and the Importance of Art

The whole Liberal Democracy thing all started off so well. It deteriorated pretty quickly though.

Much has been written about political apathy, disenfranchisement, the democratic deficit – in essence, the political process has become distant from its protagonists in Western Liberal Democracy. This has been grist to the mill of libertarians, and small-state reactionaries, yearning for less government intrusion in people’s lives. But government, and in particular liberal democracy, is supposed to be of the people, by the people. Today, I’m going to look at Juergen Habermas’ work on the public sphere, juxtaposed against Hayek on Spontaneous Order, and Carl Schmitt on States of Exception, as well as Fukyama and Huntingdon on the concept of political decay. Finally I’ll look at art and the creative process as an antidote to modernist nihilism, bringing in Gilles Deleuze and a few others.

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Machine Generated Illusions of Intimacy

Later this week I’m speaking to the UCC conference on Eco-cosmology, Sustainability and a Spirit of Resilience, on the subject of ‘Machine Generated Illusions of Intimacy’, about the challenges of modernity and computational epistemology. Here’s a sneak peak.

The Lost Soul of Europe

Clyfford Still's 1944-N No. 2
Clyfford Still’s 1944-N No. 2. For Still, art was dead in the aftermath of World War II, for it was based on European ‘dogma, authority, tradition. The totalitarian hegemony of this tradition I despise, its presumptions I reject’ (MOMA)

What has happened to Europe? What of our glorious post-war project to bring together our cultured peoples after centuries of war, that brave experiment not merely in statecraft, but in post-state statecraft, to redefine government, and seize peace to our hearts? It has persevered and grown for over sixty years, launching exuberantly into the new Millennium with the Euro, but now she finds herself beset on all sides by vast forces including geopolitics, security, technology and global finance. Worst of all, Europe seems to have lost its soul. Not merely its raison d’etre, but its spirit, its ambition. What is missing?

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Deus Ex Machina: Schmitt’s Political Theology

The concept of political theology describes the theological genealogy of political legitimacy, the validation or justification of power over others in the equitable establishment of order, and the protection of freedom. As an idea, it is associated with Carl Schmitt, one of what Yvonne Stewart called ‘Hitler’s Philosophers’, an intellectual inheritance tainted by his association with and support for the Nazi party. Nevertheless, as an abstract concept, political theology helps us to deconstruct the nature of power, and trace its origins in legitimacy and the development of political order. Because as we have seen technology embeds politics, particularly and more aggressively as automation and AI proliferate, it has become important to consider whether technology itself has some divine provenance in its human construction.

While Schmitt was immediately despondent, and wrote on the night of Hitler’s accession to power in 1933 ‘[i]t is a terribly cold night’, in the words of Stewart ‘[h]e relegated democracy to a burnt memory, and, like a dark phoenix from the ashes, he allowed tyranny to rise: authoritative, powerful and legitimate.’ (p. 103) It is impossible to detach his legacy from Nazi Germany, and it is necessary to read his work carefully in anticipation of the ideology that it would ultimately support. In the 1934 version of his Political Theology, for example, a work with which this post is substantially concerned, he quotes Emmanuel Sieyès, saying ‘The people are always virtuous. In whatever manner a nation expresses its wishes, it is enough that it wishes; all forms are good but its will is always the supreme law.’ (p. 48) Still, there are sufficient constructions in the work that allow us to consider a coherent, structured theological etymology or structure for politics and the political.

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Reflections on Blackwater: Technological Theologies, Autistic Robots, and Chivalric Order

order-now
Order is something we take for granted. That’s the mistake, the grand error of modernity.

In his 1966 work The Order of Things, Michel Foucault describes in his preface a passage from Borges to establish his objective. Quoting Borges, who in turn refers to ‘a certain Chinese encyclopaedia’, the section describes a classification of animals as being ‘divided into: (a) belonging to the Emperor, (b) embalmed, (c) tame, (d) sucking pigs, (e) sirens, (f) fabulous, (g) stray dogs, (h) included in the present classification, (i) frenzied, (j) innumerable, (k) drawn with a very fine camelhair brush, (l) et cetera, (m) having just broken the water pitcher, (n) that from a long way off look like flies’. In a later lecture recalled by Laurie Taylor, Foucault lambasted the impulse to capture and mount every butterfly in a genus and lay them out on a table, to highlight minute differences in form and colour, as if trying to solve God’s puzzle. Continue reading “Reflections on Blackwater: Technological Theologies, Autistic Robots, and Chivalric Order”

Back and Forth: State Legitimacy, AI and Death

In the Distance
If we are to make progress, we need to know where we’re going. Does an AI know where it’s going?

In 2012, I began looking at State Legitimacy as a political entity under attack from globalisation and technology. At its core, my thesis was that the nation state was being re-cast in new dimensions, beyond geography and ethnicity, into brands, global culture, and digital communications. This was a more intellectual evolution, beyond the physical, into deeper concepts of identity. The possibility of deviance, of what Foucault or Zizek might call perversions, presented an opportunity for reduced anxieties and improved conditions for all of us.

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Progress and Technology

Heidegger_1955
Martin Heidegger: We talk as if humans are actually in charge of things, but we’re not.

Do you know what progress means? Do you know what technology is? Many elements of cultural structure have been so consistent and unchallenged now for so many years that we may have landed in a kind of intellectual stupor. Our self-awareness has dissipated, and our alienation has become so complete that we have almost become meta-brands, brands of brands, images of images, pictures of pictures. Our pandemic mimesis denies innovation and inspiration, and only increases the penalty for deviance, or perversion. Self-knowledge has become a curse, something denies us membership of society, leading us to post-truth, and ‘fake news’.

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Hayek, The Busted Flush: Economic Value, Marketisation, and Social Justice

Hayek has had some dark times, and some critics, but the last twenty years of his life or so were pretty sweet. Since he died, he’s had an awful time of it.
How do markets optimise the delivery of social services and social welfare? This question surfaces many of the challenges for the Austrian School, the philosophy that free markets and the price mechanism can do a remarkable job in managing people and their behaviour. While initially Friedrich Hayek’s theorising argued that the role of the State should be minimal, he ultimately conceded that some State regulation was required in order to maintain markets, and some other functions. For example, ‘[t]o prohibit the use of certain poisonous substances, or to require special precautions in their use, to limit working hours or to require certain sanitary arrangements, is fully compatible with the preservation of competition. The only question here is whether in the particular instance the advantages gained are greater than the social costs they impose.’ (The Road to Serfdom, p.38/9) The ultimate question of Hayekian liberalism is how much does the government have to interfere? What is the minimum possible function of government? Continue reading “Hayek, The Busted Flush: Economic Value, Marketisation, and Social Justice”

Bewilderment: Politics, Technology and Ecology in a World that Stopped Making Sense

moon surface
The lunar surface, photographed in 1966.

Since the second world war, our politics has become increasingly distant from people. Voter participation has declined, distrust in politicians has grown, and corruption perceptions have increased in many jurisdictions. Inequality has accelerated as those with the highest wealth and income acquire ever greater resources – far more than they can reasonably consume – while those at the other end of the economic spectrum see their lot diminish. The relationships between commerce and politics have deepened as free market policies have governed national policy in western liberal democracies across the range of services, from social welfare and healthcare to infrastructure and defence. These institutions, invested with authority and legitimacy by democratic processes, appear foreign to the people they claim to serve; their values – of costs, efficiencies, and performance – seem distant from their clients. These institutions often instil fear, driven as they are by objectives of enforcement, compliance, and law.

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Snippet: Fuzzy, Uncertain Nature

Lotfi Zadeh, inventor of fuzzy logic, who died earlier this month at the age of 96.

I’ve long had an idea about the curved nature of things, the non-binary natural order. This is not the same as relativism versus absolutism, which is one sense a binary opposition in itself; rather, it is a straight acknowledgement that truth is never fully observable, that is it at least always subjective, and that even in the subjective moment it is mutable. What I see may not be what you see; and what I see is inconstant. Time impacts on that observation such that its character is unstable. Take pain and pleasure, for example. While on the one hand some people take a kind of satisfaction from pain, and are attracted to it, whether physical or emotional, so too others recoil from pleasure, perhaps based on guilt, or other psychological alignments. Still further, the same act – a touch – can bring immediate pleasure, while the same act, more forcefully applied, can either increase the pleasure or turn at some point to pain.  Continue reading “Snippet: Fuzzy, Uncertain Nature”