Heidegger_1955
Martin Heidegger: We talk as if humans are actually in charge of things, but we’re not.

Do you know what progress means? Do you know what technology is? Many elements of cultural structure have been so consistent and unchallenged now for so many years that we may have landed in a kind of intellectual stupor. Our self-awareness has dissipated, and our alienation has become so complete that we have almost become meta-brands, brands of brands, images of images, pictures of pictures. Our pandemic mimesis denies innovation and inspiration, and only increases the penalty for deviance, or perversion. Self-knowledge has become a curse, something denies us membership of society, leading us to post-truth, and ‘fake news’.

futurist soccer player
Umberto Boccioni’s Dynamism of a Soccer Player, 1913 (MOMA). Saw this on my visit in December 2017, it’s a provocative piece.

In trying to construct a progressive, positive view of the future, and design political structures that facilitate such outcomes, there are many ideas. These are the ideas of political philosophy, but they are also the ideas of sociology, economics, psychology, art and literature. When we think of writers like Karl Marx, Ayn Rand, Sigmund Freud, James Joyce – all of them could in some sense be considered to have made significant contributions in several of those fields. My own attempts to understand State Legitimacy, how the state’s claim to legitimacy can be established and maintained, is in truth a combination of those things as well. Ultimately, all of these pursuits fall back on critical theory: that field of study that attempts to understand who we are as peoples, as cultures. The Italian Futurists, from the first half of the twentieth century, and the (new) accelerationists, from the first fifteen or so years of the twenty-first century, each had a vision. And each was in some ways nasty.

moon surface
The lunar surface, photographed in 1966.

Since the second world war, our politics has become increasingly distant from people. Voter participation has declined, distrust in politicians has grown, and corruption perceptions have increased in many jurisdictions. Inequality has accelerated as those with the highest wealth and income acquire ever greater resources – far more than they can reasonably consume – while those at the other end of the economic spectrum see their lot diminish. The relationships between commerce and politics have deepened as free market policies have governed national policy in western liberal democracies across the range of services, from social welfare and healthcare to infrastructure and defence. These institutions, invested with authority and legitimacy by democratic processes, appear foreign to the people they claim to serve; their values – of costs, efficiencies, and performance – seem distant from their clients. These institutions often instil fear, driven as they are by objectives of enforcement, compliance, and law.

Hayek lived long enough to see his ideas ascendant in western politics, which was something of a gift; perhaps it was an equally valuable reward to have missed the bit when it all went pear-shaped.

In reading several articles on Friedrich Hayek recently, two words kept coming to mind: absolutism and elegance. Hayek appears to my inexpert reading to have been a highly scientific thinker, one with a good degree of faith in the scientific method. Attached to this is a consciousness of the sublime, a sense that there is a truth to be found in thought, an awareness of a tangible human goal of understanding. There is, in other words, a destination for our species.

Freud had a beard, but not a hipster one. His analysis of the human condition allies with that of Marx and Nietzsche; it’s bleak.

Iván Szelényi’s course on the Foundations of Modern Social Theory is a fascinating trip through some key thinkers, from political philosophers to economists, psychologists and more broadly based social scientists. If anything, perhaps, it shows how blurred the lines are between the disciplines; linking Marx, Nietzsche, Freud and Weber to me at least was not clear: Marx was either a political scientist or an economist; Nietzsche was an existentialist philosopher; Freud was a psychologist; and Weber a sociologist. Where they coalesce, Szelényi suggests, is that they are all critical theorists. They are concerned with consciousness, with what is in the mind. Giving voice to their common purpose, he said they are suggesting that ‘[w]hat is in your mind is not necessarily what you think it is. Let’s subject your consciousness to critical scrutiny.’ His heavily accented presentation is both compelling and dramatic, and the course is to be recommended, as is the Open Yale program in general. A fabulous educational resource.

Feuerbach, like Marx, also had a hipster beard.

(…continued from Alien Technology)

Marx’ extension of Feuerbach was accompanied by one of his more famous quotations. Writing in the Theses on Feuerbach, ‘the philosophers have only interpreted the world, in various ways,’ Marx said. ‘[T]he point is to change it.’ Feuerbach concerned himself with the spiritual and theological, while Marx was more revolutionary. How then could one take an abstract concept of alienation and explain how it meant something tangible, more actionable?

Things are pretty strange, it’s got to be said. But are they actually alien? (image credit Kim Hunter)

The question of technology and our relationship to it is one that has preoccupied me for some time now. It is separate from us as a concept – technology is not, so to speak, human – and yet it is deeply intimate in so many ways, so much as to make us think that our existence is dependent on it, as is our identity; Winner’s formulation of technology as a Wittgensteinian form of life (as I wrote about in my recent thesis) appears to me to be an appropriate joining of the human being and our technology, like Kevin Kelly’s ‘technium’, a kind of skin. But just as it becomes more deeply insinuated into our lives, there is something discomfiting about it, something unnatural, something foreign. Something alien, perhaps.