Category: political philosophy

The Mirage of Liberal Democracy and the Importance of Art

The whole Liberal Democracy thing all started off so well. It deteriorated pretty quickly though.

Much has been written about political apathy, disenfranchisement, the democratic deficit – in essence, the political process has become distant from its protagonists in Western Liberal Democracy. This has been grist to the mill of libertarians, and small-state reactionaries, yearning for less government intrusion in people’s lives. But government, and in particular liberal democracy, is supposed to be of the people, by the people. Today, I’m going to look at Juergen Habermas’ work on the public sphere, juxtaposed against Hayek on Spontaneous Order, and Carl Schmitt on States of Exception, as well as Fukyama and Huntingdon on the concept of political decay. Finally I’ll look at art and the creative process as an antidote to modernist nihilism, bringing in Gilles Deleuze and a few others.

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Deus Ex Machina: Schmitt’s Political Theology

The concept of political theology describes the theological genealogy of political legitimacy, the validation or justification of power over others in the equitable establishment of order, and the protection of freedom. As an idea, it is associated with Carl Schmitt, one of what Yvonne Stewart called ‘Hitler’s Philosophers’, an intellectual inheritance tainted by his association with and support for the Nazi party. Nevertheless, as an abstract concept, political theology helps us to deconstruct the nature of power, and trace its origins in legitimacy and the development of political order. Because as we have seen technology embeds politics, particularly and more aggressively as automation and AI proliferate, it has become important to consider whether technology itself has some divine provenance in its human construction.

While Schmitt was immediately despondent, and wrote on the night of Hitler’s accession to power in 1933 ‘[i]t is a terribly cold night’, in the words of Stewart ‘[h]e relegated democracy to a burnt memory, and, like a dark phoenix from the ashes, he allowed tyranny to rise: authoritative, powerful and legitimate.’ (p. 103) It is impossible to detach his legacy from Nazi Germany, and it is necessary to read his work carefully in anticipation of the ideology that it would ultimately support. In the 1934 version of his Political Theology, for example, a work with which this post is substantially concerned, he quotes Emmanuel Sieyès, saying ‘The people are always virtuous. In whatever manner a nation expresses its wishes, it is enough that it wishes; all forms are good but its will is always the supreme law.’ (p. 48) Still, there are sufficient constructions in the work that allow us to consider a coherent, structured theological etymology or structure for politics and the political.

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Reflections on Blackwater: Technological Theologies, Autistic Robots, and Chivalric Order

order-now
Order is something we take for granted. That’s the mistake, the grand error of modernity.

In his 1966 work The Order of Things, Michel Foucault describes in his preface a passage from Borges to establish his objective. Quoting Borges, who in turn refers to ‘a certain Chinese encyclopaedia’, the section describes a classification of animals as being ‘divided into: (a) belonging to the Emperor, (b) embalmed, (c) tame, (d) sucking pigs, (e) sirens, (f) fabulous, (g) stray dogs, (h) included in the present classification, (i) frenzied, (j) innumerable, (k) drawn with a very fine camelhair brush, (l) et cetera, (m) having just broken the water pitcher, (n) that from a long way off look like flies’. In a later lecture recalled by Laurie Taylor, Foucault lambasted the impulse to capture and mount every butterfly in a genus and lay them out on a table, to highlight minute differences in form and colour, as if trying to solve God’s puzzle. Continue reading “Reflections on Blackwater: Technological Theologies, Autistic Robots, and Chivalric Order”

Beautiful Ideas Which Kill: Accelerationism, Futurism and Bewilderment

futurist soccer player
Umberto Boccioni’s Dynamism of a Soccer Player, 1913 (MOMA). Saw this on my visit in December 2017, it’s a provocative piece.

In trying to construct a progressive, positive view of the future, and design political structures that facilitate such outcomes, there are many ideas. These are the ideas of political philosophy, but they are also the ideas of sociology, economics, psychology, art and literature. When we think of writers like Karl Marx, Ayn Rand, Sigmund Freud, James Joyce – all of them could in some sense be considered to have made significant contributions in several of those fields. My own attempts to understand State Legitimacy, how the state’s claim to legitimacy can be established and maintained, is in truth a combination of those things as well. Ultimately, all of these pursuits fall back on critical theory: that field of study that attempts to understand who we are as peoples, as cultures. The Italian Futurists, from the first half of the twentieth century, and the (new) accelerationists, from the first fifteen or so years of the twenty-first century, each had a vision. And each was in some ways nasty.

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Hayek, The Busted Flush: Economic Value, Marketisation, and Social Justice

Hayek has had some dark times, and some critics, but the last twenty years of his life or so were pretty sweet. Since he died, he’s had an awful time of it.
How do markets optimise the delivery of social services and social welfare? This question surfaces many of the challenges for the Austrian School, the philosophy that free markets and the price mechanism can do a remarkable job in managing people and their behaviour. While initially Friedrich Hayek’s theorising argued that the role of the State should be minimal, he ultimately conceded that some State regulation was required in order to maintain markets, and some other functions. For example, ‘[t]o prohibit the use of certain poisonous substances, or to require special precautions in their use, to limit working hours or to require certain sanitary arrangements, is fully compatible with the preservation of competition. The only question here is whether in the particular instance the advantages gained are greater than the social costs they impose.’ (The Road to Serfdom, p.38/9) The ultimate question of Hayekian liberalism is how much does the government have to interfere? What is the minimum possible function of government? Continue reading “Hayek, The Busted Flush: Economic Value, Marketisation, and Social Justice”

Bewilderment: Politics, Technology and Ecology in a World that Stopped Making Sense

moon surface
The lunar surface, photographed in 1966.

Since the second world war, our politics has become increasingly distant from people. Voter participation has declined, distrust in politicians has grown, and corruption perceptions have increased in many jurisdictions. Inequality has accelerated as those with the highest wealth and income acquire ever greater resources – far more than they can reasonably consume – while those at the other end of the economic spectrum see their lot diminish. The relationships between commerce and politics have deepened as free market policies have governed national policy in western liberal democracies across the range of services, from social welfare and healthcare to infrastructure and defence. These institutions, invested with authority and legitimacy by democratic processes, appear foreign to the people they claim to serve; their values – of costs, efficiencies, and performance – seem distant from their clients. These institutions often instil fear, driven as they are by objectives of enforcement, compliance, and law.

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Snippet: Fuzzy, Uncertain Nature

Lotfi Zadeh, inventor of fuzzy logic, who died earlier this month at the age of 96.

I’ve long had an idea about the curved nature of things, the non-binary natural order. This is not the same as relativism versus absolutism, which is one sense a binary opposition in itself; rather, it is a straight acknowledgement that truth is never fully observable, that is it at least always subjective, and that even in the subjective moment it is mutable. What I see may not be what you see; and what I see is inconstant. Time impacts on that observation such that its character is unstable. Take pain and pleasure, for example. While on the one hand some people take a kind of satisfaction from pain, and are attracted to it, whether physical or emotional, so too others recoil from pleasure, perhaps based on guilt, or other psychological alignments. Still further, the same act – a touch – can bring immediate pleasure, while the same act, more forcefully applied, can either increase the pleasure or turn at some point to pain.  Continue reading “Snippet: Fuzzy, Uncertain Nature”

Galadriel’s Inversion

Cate Blanchett’s Galadriel from the Lord of The Rings: The Fellowship of the Ring (Dir. Peter Jackson, 2001)

On the day when Apple are supposed to be launching a new iPhone with facial scanning capability, the Guardian has delightfully timed a piece warning of the dangers of the technology. Its functions potentially extend to predicting sexual orientation, political disposition, or nefarious intent. What secrets can remain in the face of this extraordinary power! Indeed, it’s two years ago since I heard Martin Geddes talking about people continuing to wear face masks in Hong Kong not because of the smog, but to avoid facial scanning technologies deployed by an overbearing security apparatus. There’s no hiding from the data, no forgetting.

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Alien Technology (2)

Feuerbach, like Marx, also had a hipster beard.

(…continued from Alien Technology)

Marx’ extension of Feuerbach was accompanied by one of his more famous quotations. Writing in the Theses on Feuerbach, ‘the philosophers have only interpreted the world, in various ways,’ Marx said. ‘[T]he point is to change it.’ Feuerbach concerned himself with the spiritual and theological, while Marx was more revolutionary. How then could one take an abstract concept of alienation and explain how it meant something tangible, more actionable?

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Alien Technology

Things are pretty strange, it’s got to be said. But are they actually alien? (image credit Kim Hunter)

The question of technology and our relationship to it is one that has preoccupied me for some time now. It is separate from us as a concept – technology is not, so to speak, human – and yet it is deeply intimate in so many ways, so much as to make us think that our existence is dependent on it, as is our identity; Winner’s formulation of technology as a Wittgensteinian form of life (as I wrote about in my recent thesis) appears to me to be an appropriate joining of the human being and our technology, like Kevin Kelly’s ‘technium’, a kind of skin. But just as it becomes more deeply insinuated into our lives, there is something discomfiting about it, something unnatural, something foreign. Something alien, perhaps.

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