Themes of alienation, vacuity, and absurdity have permeated the art and literature of the late twentieth century. From Samuel Beckett, to Mark Rothko, Marcel Duchamp, Brett Easton-Ellis, Salvador Dali, and Albert Camus, there appears to be a recognition of something misdirected, misaligned, out of whack. It’s political, social, economic, and even aesthetic – the artists themselves often recognise the futility of even their own art. What has been missing is – naturally – hard to pin down; but there is something essential about it, something epistemic. The resultant failures of society to compensate, despite eager, youthful, soviet-style enthusiastic promises of progress and improvement, merely accelerate the retrenchment of people from the public sphere, from the political, and into the familiar space of the self, and the narcissistic selfie. If this is wrong, if this is not right, or not how it should be, what happened to us?Continue reading “The Anti-Apocalypse of Being”
Later this week I’m speaking to the UCC conference on Eco-cosmology, Sustainability and a Spirit of Resilience, on the subject of ‘Machine Generated Illusions of Intimacy’, about the challenges of modernity and computational epistemology. Here’s a sneak peak.
In his 1966 work The Order of Things, Michel Foucault describes in his preface a passage from Borges to establish his objective. Quoting Borges, who in turn refers to ‘a certain Chinese encyclopaedia’, the section describes a classification of animals as being ‘divided into: (a) belonging to the Emperor, (b) embalmed, (c) tame, (d) sucking pigs, (e) sirens, (f) fabulous, (g) stray dogs, (h) included in the present classification, (i) frenzied, (j) innumerable, (k) drawn with a very fine camelhair brush, (l) et cetera, (m) having just broken the water pitcher, (n) that from a long way off look like flies’. In a later lecture recalled by Laurie Taylor, Foucault lambasted the impulse to capture and mount every butterfly in a genus and lay them out on a table, to highlight minute differences in form and colour, as if trying to solve God’s puzzle. Continue reading “Reflections on Blackwater: Technological Theologies, Autistic Robots, and Chivalric Order”
In 2012, I began looking at State Legitimacy as a political entity under attack from globalisation and technology. At its core, my thesis was that the nation state was being re-cast in new dimensions, beyond geography and ethnicity, into brands, global culture, and digital communications. This was a more intellectual evolution, beyond the physical, into deeper concepts of identity. The possibility of deviance, of what Foucault or Zizek might call perversions, presented an opportunity for reduced anxieties and improved conditions for all of us.
Monty Python’s Life of Brian is a delightful re-telling of the story of Jesus in a secular and historical context, finding its humour in the conflict between orthodox and invariably religious interpretations of the time, and a more ‘enlightened’ understanding, based on archaeology and academic research. As it wends its way through its telling of life in a Roman colony, the real politique is surfaced in the resistance movement the People’s Front of Judea (PFJ). During one of their serious and clearly well intentioned meetings, the leader Reg berates the Romans for their oppression of the poor Galileans, asking in a fit of rhetorical pique ‘What have the Romans ever done for us?’ One lonely voice suggests ‘the aqueduct’, which Reg grudgingly concedes. Another suggests ‘sanitation’. Several others venture still more technologies, which Reg attempts to summarise thus: ‘All right, but apart from the aqueduct, sanitation, the medicine, education, wine, public order, irrigation, roads, a fresh water system, and public health, what have the Romans ever done for us?’
Do you know what progress means? Do you know what technology is? Many elements of cultural structure have been so consistent and unchallenged now for so many years that we may have landed in a kind of intellectual stupor. Our self-awareness has dissipated, and our alienation has become so complete that we have almost become meta-brands, brands of brands, images of images, pictures of pictures. Our pandemic mimesis denies innovation and inspiration, and only increases the penalty for deviance, or perversion. Self-knowledge has become a curse, something denies us membership of society, leading us to post-truth, and ‘fake news’.