Category: Juergen Habermas

The Mirage of Liberal Democracy and the Importance of Art

The whole Liberal Democracy thing all started off so well. It deteriorated pretty quickly though.

Much has been written about political apathy, disenfranchisement, the democratic deficit – in essence, the political process has become distant from its protagonists in Western Liberal Democracy. This has been grist to the mill of libertarians, and small-state reactionaries, yearning for less government intrusion in people’s lives. But government, and in particular liberal democracy, is supposed to be of the people, by the people. Today, I’m going to look at Juergen Habermas’ work on the public sphere, juxtaposed against Hayek on Spontaneous Order, and Carl Schmitt on States of Exception, as well as Fukyama and Huntingdon on the concept of political decay. Finally I’ll look at art and the creative process as an antidote to modernist nihilism, bringing in Gilles Deleuze and a few others.

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The Anti-Apocalypse of Being

Francis Bacon, Study for the Head of a Screaming Pope (1952)

Themes of alienation, vacuity, and absurdity have permeated the art and literature of the late twentieth century. From Samuel Beckett, to Mark Rothko, Marcel Duchamp, Brett Easton-Ellis, Salvador Dali, and Albert Camus, there appears to be a recognition of something misdirected, misaligned, out of whack. It’s political, social, economic, and even aesthetic – the artists themselves often recognise the futility of even their own art. What has been missing is – naturally – hard to pin down; but there is something essential about it, something epistemic. The resultant failures of society to compensate, despite eager, youthful, soviet-style enthusiastic promises of progress and improvement, merely accelerate the retrenchment of people from the public sphere, from the political, and into the familiar space of the self, and the narcissistic selfie. If this is wrong, if this is not right, or not how it should be, what happened to us?

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Machine Generated Illusions of Intimacy

Later this week I’m speaking to the UCC conference on Eco-cosmology, Sustainability and a Spirit of Resilience, on the subject of ‘Machine Generated Illusions of Intimacy’, about the challenges of modernity and computational epistemology. Here’s a sneak peak.

The Lost Soul of Europe

Clyfford Still's 1944-N No. 2
Clyfford Still’s 1944-N No. 2. For Still, art was dead in the aftermath of World War II, for it was based on European ‘dogma, authority, tradition. The totalitarian hegemony of this tradition I despise, its presumptions I reject’ (MOMA)

What has happened to Europe? What of our glorious post-war project to bring together our cultured peoples after centuries of war, that brave experiment not merely in statecraft, but in post-state statecraft, to redefine government, and seize peace to our hearts? It has persevered and grown for over sixty years, launching exuberantly into the new Millennium with the Euro, but now she finds herself beset on all sides by vast forces including geopolitics, security, technology and global finance. Worst of all, Europe seems to have lost its soul. Not merely its raison d’etre, but its spirit, its ambition. What is missing?

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Habermas and the Crisis of The European Union

JuergenHabermas
Juergen Haberman: The German neo-communist informs a considerable part of German thinking on Europe, though one suspects from his writing that he is not too pleased with German strategy on the Crisis.

I’ve been reading Juergen Habermas slim volume The Crisis of the European Union: A Response, and I have to say that it is an exceptional read.  Not only is it very accessible – important, if you’re trying to send a message to politicians – but it is equally concise.  These are big thoughts, and grand ideas, and it is easy to get bogged down.  Highly recommended to everyone reading this – if you’re interested in my blog, Habermas is a must.  These are some of the notes I took on the Preface.

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